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THE DAZZLINGS FIND A JOB (PART TWO)

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INTERIOR – DAY - INSIDE A LOVELY AND RICH LOOKING HOUSE, IN THE HALLWAY LEADING TO THE FRONT DOOR

*DING-DONG!* THERE'S A RING ON THE DOOR.

WE ARE NOW LOOKING FROM A AN ACTUAL HAND-HELD CAMERA'S FIRST POINT OF VIEW. THE VIDEO QUALITY LOOKS CHEAP BUT CLEAR ENOUGH, LIKE AN OLD INFOMERCIAL FROM THE 90'S.

WHOEVER IS HOLDING THE CAMERA IS WALKING TOWARDS THE FRONT DOOR, THE SHOT MOVES AS IF THE PERSON HOLDING THE CAMERA IS USED TO FILMING STUFF BUT NOT REALLY A PROFESSIONAL CAMERAMAN.

THE PERSON WITH THE CAMERA IS HOLDING IT WITH HIS LEFT HAND. HE'S A MAN, WE SEE HIS MANLY RIGHT ARM AND HAND REACHING FOR THE DOOR KNOB. HE OPENS THE DOOR AND THE THREE DAZZLINGS ARE OUT THERE, SMILING. THEY'RE WEARING LIGHT CLOTHING, JUST AS THE ADD DEMANDED. WE CAN TELL THEY BASICALLY JUST MODIFIED THEIR REGULAR CLOTHES BY REMOVING AND CUTTING PARTS OUT.

WE ONLY SEE WHAT THE MAN SEES THROUGH HIS OWN CAMERA FROM NOW ON; AND, ALTHOUGH WE CAN'T ACTUALLY SEE THE MAN HOLDING THE CAMERA, WE CAN HEAR HIS OLD, PERVERTED, NASTY VOICE:



MAN FILMING

Hey, hello there.


THE DAZZLINGS

Hi!


MAN FILMING

You guys selling cookies or something?


THE DAZZLINGS

No.


MAN FILMING

Then what brings you young ladies to my humble home?


ADAGIO DAZZLE

We saw an add in the paper about some amateur work. Was that your add?


MAN FILMING

Oh, yeah. That was my add.


ADAGIO DAZZLE

We're here for the job.


MAN FILMING

All three of you?


ADAGIO DAZZLE

Oh, yes, we do everything together. We are sisters.


MAN FILMING

Sisters? My, oh, my; that's so nasty it's nice. You like sharing stuff, huh?


ADAGIO DAZZLE

Of course we do. 


ARIA BLAZE

I don't.


MAN FILMING

Well girls, then you came to the right place. You're perfect for the job.


ADAGIO AND SONATA


Thank you.


MAN FILMING

No, thank you. Why don't you come in and make yourselves comfortable.


ADAGIO DAZZLE

Okay.


THE GUY CLOSES THE DOOR AFTER THE DAZZLINGS GO INSIDE. HE FILMS THEM FROM THE BOTTOM TO THE TOP AS THE GIRLS WALK FROM THE MAIN ENTRANCE HALLWAY TO THE LIVING ROOM. EVERYTHING INSIDE THE HOUSE LOOKS CLEAN AND EXPENSIVE. IT'S ALSO QUITE SPACIOUS. THERE'S EVEN A CHIMNEY, BUT NO FIRE BURNING ON IT. EXCEPT FOR THE MAN AND THE THREE DAZZLINGS, THE HOUSE IS EMPTY. 

THE DAZZLING ARE CHECKING OUT THE HOUSE WHILE THE MAN IS CHECKING THEM OUT,
 


SONATA DUSK

Nice house, mister!


MAN FILMING

Like what you see?


SONATA DUSK

Yeah, it's huge!


MAN FILMING

You like huge things?


SONATA DUSK

Uhm? Yeah, I guess.


THE MAN TAKES A CLOSE-UP SHOT OF SONATA'S CHEST:


MAN FILMING

Yeah, you look like that type of girl. I also like what I see.


THEN, THE MAN FILMING  RAMS THE CAMERA UP THE DAZZLINGS FACES. HE FIRST BEGINS WITH ARIA BLAZE,


MAN FILMING

And what is your name?


ARIA BLAZE

Aria... Blaze.


MAN FILMING

“Aria Blaze”? Where are you from, Aria?


ARIA LOOKS THE OTHER WAY;


ADAGIO DAZZLE

We come from a far away country in... Europe.


MAN FILMING

Great, in my experience, European girls are usually the best at this job.
And who are you?


ADAGIO DAZZLE

My name is Adagio, Adagio Dazzle.


MAN FILMING

Oh, so “Aria Blaze” and “Adagio Dazzle”? Those your working names?


ARIA AND ADAGIO

Mmh, yes.


MAN FILMING

Nice, very nice.


THE MAN TURNS TO SONATA:


MAN FILMING

And what about you? Wait, let me guess.
You look like a... “Melody Bangs”, right?


SONATA DUSK

“Melody Bangs”? No, I’m Sonata Dusk.


MAN FILMING

Hah, hah! Of course, “Sonata Dusk”. 
“Aria”, “Adagio” and “Sonata”, I get it, I get it.


THE DAZZLINGS HAVE NO IDEA WHAT THE MAN IS TALKING ABOUT OR WHAT'S REALLY GOING ON;


ARIA BLAZE

So... are we hired? We wanna begin right away.


MAN FILMING

You just can't wait, can you?


ARIA BLAZE

We need it. Bad.


MAN FILMING

Oh, don't worry, you're gonna get it. Bad.


SONATA DUSK

You usually film people who come for this job?


MAN FILMING

Hah, hah! Playing naive, eh?


SONATA DUSK

Huh?


MAN FILMING

That's great, you're great.


SONATA DUSK

Oh, thanks. Wha---Why?


MAN FILMING

Yeah, go on. You're the naive one.


SONATA DUSK

Yeah, I guess. People always tell me that.
And they’re always saying Adagio is the evil one and Aria is the grumpy one.


MAN FILMING

Is that so? Hah, hah!


SONATA DUSK

Yup! Why are you laughing?


MAN FILMING

Cuz' what you said.


SONATA DUSK

Wha---What did I say?


ADAGIO DAZZLE

What you meant to say is that people are always saying I am the smart one, 
Aria is the quiet one and you are the dumb one!


SONATA DUSK

Oh yeah, that's what she said I meant to say... 
that's what I meant... to say.


ARIA BLAZE

And what you would have said if you weren't the worst!


SONATA DUSK

No! You are!


ADAGIO PLACES HERSELF IN FRONT OF HER TWO SISTERS,


ADAGIO DAZZLE

You'll have to excuse them, they're idiots.


MAN FILMING

Oh, you guys are a riot, I have a feeling we're gonna have lots of fun.


ADAGIO DAZZLE
(LOOKING STRAIGHT INTO THE CAMERA)

“Fun”? This is dead serious for us, mister.


MAN FILMING

Whoa! You are the “evil one”, right? That’s sexy!


ADAGIO DAZZLE DOESN'T QUITE UNDERSTAND WHAT THE MAN MEANT BY “SEXY” AND HER FACE REFLECTS IT,


ADAGIO DAZZLE

Maybe we should talk business instead. What will our positions be, exactly?


MAN FILMING

Oh, all sorts of positions. Are you guys flexible?


ADAGIO DAZZLE

It depends on the hours.


MAN FILMING

Oh, just a couple of hours. I can't do more than that. I'll edit later on.


THE DAZZLINGS 

What?


MAN FILMING

How old are you girls, anyway?


SONATA DUSK

Heh, we're sooo old!


ADAGIO DOES A “SHUT THE HELL UP” SIGN TO SONATA, ARIA DOES THE FACE PALM,


MAN FILMING

Just how old? I don't want pigs chasing me.


ARIA BLAZE

We've been around, okay. We're old enough for anything you want.


MAN FILMING

Good, good. That's what I wanted to hear.
Okay, so, whatcha' say we get to it?


ADAGIO DAZZLE

You still haven't told us what you want us to do.


MAN FILMING

In a word: everything. 


ADAGIO DAZZLE

But...


MAN FILMING
(RUDE)

Just follow my lead!


ADAGIO IS A BIT INSULTED BY THAT, BOTH ARIA AND SONATA WANT TO LAUGH AT ADAGIO BUT RESTRAIN THEMSELVES FROM DOING SO WHEN SHE GIVES THEM AN ANGRY LITTLE LOOK;


MAN FILMING


Go on, walk towards that staircase. You guys like the ocean?


SONATA DUSK

Uh, duh! We come from the sea in Equestr---


ADAGIO SILENCES HER SISTER BY QUICKLY SHOVING THE PALM OF HER RIGHT HAND IN HER MOUTH; HER FACE  READS “BITCH, YOU NEED TO SHUT THE HELL UP RIGHT NOW!” AND SONATA IMMEDIATELY STEPS BACK AND SMILES NERVOUSLY. THEN, ADAGIO FACES THE CAMERA AGAIN,

ADAGIO DAZZLE

Yes, we are very much connected to the ocean. 
In our country, you rarely saw us out of the ocean.


MAN FILMING

Cool. I bet you used to swim all the time.
Your bodies look hard and athletic.


THE DAZZLINGS

Yes.


MAN FILMING

What type of swimsuits did you use to wear? Two-piece? G-strings?


THE DAZZLINGS

No swimsuits.


MAN FILMING

Ouh, yeah, I've heard that about European girls. I can picture you now. Nice! 
Let's go up stairs, I have a nice cozy room up there with an ocean view. 
It's got a balcony and all.


ARIA BLAZE

Was this our interview? Is it over now?


MAN FILMING

Yeah, let's go upstairs. Go on.


THE DAZZLINGS WALK UP THE STAIRS AS THE MAN FOLLOWS THEM FILMING THEIR BUTTS. AS THEY GO UP:

ADAGIO DAZZLE

This is, indeed, a lovely house.


MAN FILMING

Thanks. You're quite lovely yourselves. Look at all that.


SONATA DUSK

What?


MAN FILMING

All that junk!


SONATA DUSK

You shouldn't call your own stuff junk.


ARIA BLAZE

You're weird, mister.


THE MAN KEEPS FILMING ASSES,

MAN FILMING

You mean to say all that junk is mine? That’s all for me?


SONATA DUSK

Yeah, you get what you pay for.


MAN FILMING

Damn right, damn right! Just look at that. Yeah, I'm gonna enjoy that. 


THEY GO INTO THE BEDROOM UPSTAIRS. THERE’S A KING-SIZE BED, PROFESSIONAL FILMING EQUIPMENT (LIGHTS, CAMERAS, MICROPHONES) AND, CERTAINLY, A BALCONY WITH AN OCEAN VIEW. THE ROOM IS DECORATED WITH ALL SORTS OF FUR AND WEIRD SEXUAL ORNAMENTS.

SONATA DUSK

Oh, look, the sea! Can I take a look?


MAN FILMING

Sure, go on.


SONATA DUSK

Yay!


ADAGIO NOTICES THE BIZARRE DECORATIONS,


ADAGIO DAZZLE

Who decorated this place?


MAN FILMING

I did. 


ADAGIO DAZZLE

It's... (SHE IS ABOUT TO SAY HOW HORRIBLE IT IS, BUT REMEMBERS SHE NEEDS THE JOB)... it’s nice. Human art is very... interesting.


MAN FILMING

I knew you'd like it. What? “Human art”?


ADAGIO DAZZLE
(SMILES NERVOUSLY)

Ooh, er... I meant, like, art depicting people, you know humans. 
Art with humans. Like these..?


ADAGIO LOOKS AT A PAINTING OF A MAN AND A WOMAN DOING A WEIRD KAMASUTRA POSITION, SHE HAS NEVER SEEN SOMETHING LIKE THAT BEFORE, 


ADAGIO DAZZLE

What. Is. This?


MAN FILMING

That's the “Deep Lotus”. I got it in India.


ADAGIO DAZZLE

Oh, okay. A cultural item.


ARIA BLAZE NOTICES THE CAMERAS IN FRONT OF THE BED, COMES CLOSE TO THEM, INSPECTS THEM,

ARIA BLAZE

You're really into making videos, right? 


MAN FILMING

I've done a ton of them, all over. Even in Europe, with girls like you.


ARIA BLAZE

Girls like us? I doubt it. Wait a sec... you're not one of those YouTubers, right?
I hate those dorks!


MAN FILMING

Nah, I tried to upload some previews to YouTube but they wont let me. 
They take them out almost immediately. 


ADAGIO DAZZLE

So, why don't you tell us what you need us to do?
We'd like to start as quickly as possible if you don't mind.


MAN FILMING

Okay, okay, let's do this.  
Go on and sit on the bed as close to each other as you can.


ADAGIO AND ARIA WONDER WHY THEY WOULD HAVE TO SIT ON THE BED, BUT STILL OBEY. AN OVERLY EXCITED SONATA SHOUTS FROM THE BALCONY:


SONATA DUSK

Come outside girls, you're gonna love this view! 


ADAGIO DAZZLE

No, you come back inside Sonata, we need to get to work.


MAN FILMING

Yeah, listen to your sister, Sonata!


SONATA DUSK

Oh, okay then!


SONATA COMES AND SITS ON THE BED WITH HER SISTERS: FROM LEFT TO RIGHT, WE HAVE ARIA, ADAGIO AND SONATA. THE MAN FILMING STANDS RIGHT IN FRONT OF THE GIRLS. SINCE THE DAZZLINGS ARE SITTING DOWN THEY HAVE TO RAISE THEIR FACES UP AS THEY LOOK INTO THE CAMERA.


MAN FILMING

So, which one of you is hungrier? I've got something for you to eat.


FROM THIS MOMENT ON, THE MAN'S VOICE GETS DIRTIER AND DIRTIER,


ADAGIO DAZZLE

That's most kind of you.


SONATA DUSK

Me! I'm really hungry, sir!


ARIA BLAZE

Hey, I wanna eat too! I go first!


ADAGIO DAZZLE

No, I go first! Don't forget who leads here!


MAN FILMING

Don't worry, you don’t have to fight for it, you can all go at the same time.


SONATA DUSK

You have Mexican?


MAN FILMING

Half Irish, half African, actually. But it does look like a giant burrito!
You'll have to open your mouths really wide if you want it all to go in!


SONATA DUSK

Oh please, give it to me!


MAN FILMING

You want it in your mouth?


SONATA DUSK

Oh yes, please, please!


THE MAN PUTS HIS THUMB INSIDE SONATA'S MOUTH AND PULLS HER CHEEK OUT THE SIDE,

MAN FILMING

I dunno, maybe that little mouth can't take it.


ADAGIO DOESN'T LIKE THE MAN PUTTING HIS FINGER INSIDE HER SISTER'S MOUTH. SONATA TAKES THE GUY'S THUMB OUT OF HER MOUTH AND PROUDLY SAYS:


SONATA DUSK

Are you kidding me? Pft! I once ate one that was this big!


SONATA SEPARATES THE PALMS OF HER HANDS SHOWING US THE SIZE OF A GIANT BURRITO SHE ONCE ATE. IT WAS HUGE.


MAN FILMING

Really? I guess you'll do fine, then.


ADAGIO BECOMES SUSPICIOUS... FINALLY! HER FACE KINDA REFLECTS SHE'S THINKING THIS WHOLE THING THROUGH AND SHE'S KINDA FIGURING OUT WHAT'S REALLY GOING ON,


ADAGIO DAZZLE

Sir, what exactly do you want from us?


THE MAN FILMING USES HIS ONE FREE HAND TO CARESS ADAGIO'S FACE IN A WAY ONLY A PERVERT WOULD,


MAN FILMING

Well, how bout' first I make you all wet and then you eat me?
We can start with that.


ARIA BLAZE

What the hell are you talking about? Make us “wet”?


SONATA DUSK

We... “eat you”?


THE MAN UNZIPS HIS PANTS,

MAN FILMING

Yeah, go on, take those shirts off. Let me see what you got.


ARIA AND SONATA
(SHOCKED)

WHAT??!!


MAN FILMING

C'mon, let me take a look!


ADAGIO HAS FINALLY REALIZED WHAT THIS REALLY IS. HER EYES ARE WIDE OPEN; SHE'S FURIOUS. SHE TALKS TO ARIA, TRYING TO CONTAIN HER WRATH:


ADAGIO DAZZLE

Don't you see what this human is!? What he wants from us!?


ARIA STILL DOESN'T GET IT. ADAGIO THEN TURNS LEFT TO SONATA; SONATA DOES HER “I HAVE NO IDEA WHAT'S GOING ON” FACE AND POSE. ADAGIO CLOSES HER EYES AND RISES HER RIGHT FIST, INFURIATED:


ADAGIO DAZZLE

This man does not want to give us work,
he wants to... abuse our necessity!


ARIA BLAZE

What?


SONATA DUSK

What’s going on?


ADAGIO DAZZLE

I have heard of this type of thing happening in this world. 
Young girls are contacted by exploiters and
have to... perform sexual treats in exchange of money!


MAN FILMING

Hey, bitches, you need to stick with the program here, you’re ruining the mood!


ADAGIO DAZZLE

Silence, you pathetic excuse for a man!


MAN FILMING

What the fuck did you just say to me, you little slut?


*SMACK!!! THE MAN USES HIS FREE HAND TO SLAP ADAGIO LIKE A PIMP SLAPS ONE OF HIS GIRLS. BAD IDEA. ARIA AND SONATA LOOK STRAIGHT THROUGH THE CAMERA AND INTO THE MAN'S EYES. 


ARIA BLAZE

Did you just... hit my sister?


SONATA DUSK

He did... he hit her. And he called her... something nasty.


MAN FILMING

Oh, shut the hell up!


AFTER AN AWKWARD SILENCE:


ADAGIO DAZZLE
(HURTING, TOUCHES HER FACE WITH HER HAND)

He's a pornographer, he's used to treat women like objects, like property. 
Like trash. Like we are nothing. 


PORNOGRAPHER
(RAISING HIS VOICE IMPATIENTLY)

That's because worthless little whores like you are nothing!
Now get those damn clothes off and let's start fucking!
YOU BITCHES ARE HERE TO FUCK!!!


THE DAZZLING CAN'T BELIEVE WHAT THEY JUST HEARD; THEY'VE NEVER BEEN SO INSULTED IN THEIR WHOLE LIVES. THEY LOOK AT EACH OTHER WONDERING HOW TO EVEN RESPOND.

THEN, THE THREE OF THEM LOOK STRAIGHT TO THE CAMERA AGAIN, AND SMILE WICKEDLY,


ARIA BLAZE

Oh, we’ll fuck you. We'll fuck you up really, REALLY BAD!!!


IN A SECOND, THE DAZZLING'S EYES BECOME SERPENT LIKE, BUT THIS HAPPENS SO FAST THE PORNOGRAPHER CAN'T EVEN REACT. THEN THE THREE GIRLS JUMP AT THE GUY LIKE THEY WERE TIGERS, MAKING HIM LOSE HIS BALANCE AND FALL.

THE MAN SCREAMS AS HIS CAMERA GOES OFF.

CUT TO BLACK.

_________________________________________________


CLICK HERE TO GO TO PART THREE! 


This is my take on what happened to The Dazzlings after the battle of the bands event. 

"MY LITTLE PONY: FRIENDSHIP IS MAGIC" is owned by HASBRO and was developed for television by Lauren Faust. This fan-script is based on characters appearing on the movie "EQUESTRIA GIRLS, RAINBOW ROCKS", written by Meghan McCarthy and directed by Jayson Thiessen.
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